FujiFilm X-T5

August — A Year in Photographs — Beautiful Garbage by Adrian Galli

A question philosophers and scientists have asked since the concepts existed, “what is consciousness?” For some, it is emergent like patterns in the sand on a beach or spiral of a snail shell. But some suggest that consciousness is fundamental like gravity or thermodynamics.

Pansychism is that scientific and philosophical marriage that everything in the universe has some sense of consciousness—from atom to human. While I’ll not write a dissertation here on the subject, it catches my curiosity and resonates with my view of the universe yet has a powerful consequential question: if everything is conscious in even the most simple form, how does that change our relationship when we see everything as somehow kindred and not foreign?

Not to suggest Chicago is full of trash and garbage, we are in fact a very clean and beautiful city, but there are those of us locals and visitors who leave much behind. While Beautiful Garbage was originally, years ago, a simple outset to find beauty in otherwise ugliness, #AYearinPhotographs set out to honor that which was left behind and ask for your imagination to come along with me:

What if everything we left behind remembers us?

July — A Year in Photographs — Double Exposure by Adrian Galli

It’s a Game — Day 182

Through the Looking glass inspired a month of double exposures. This #AYearinPhotographs I found myself wanted to experiment more—not just finding themes but finding that which I had little experience.

Digital photography has almost every advantage over film while double exposure requires one to be a bit more magical and put extra effort in. These were all made in Pixelmator Pro using a screen blend mode. While I dislike discussing the technical nature of photography when the photograph itself is what matters most, many asked, “how did you do it?”

To best simulate the film double exposure experience best, the photos were shot in sequence and minimal editing in post.

But let us not revel in technical jardon. Enjoy July’s theme of Double Exposure.

Cartagena de Indias — Puertas y Ventanas by Adrian Galli

Split Black and White, Cartagena de Indias, 2024

Black and white is my favorite way to photograph. While color is sometimes a necessity and, like almost all other photographs from Cartagena, it may best display the vibrant nature of subjects, both literally and figuratively, black and white reduces things to a fundamental state of being.

Rarely do our eyes see things is in black and white. However, I would postulate that is fundamentally one of the tenets of photography—to see that which isn’t seen and to reveal that vision to the world.

My final post of 2024—Happy New Year and best wishes in 2025!