Chicago is one of the architectural capitols of the world. With not only a long history but also famous architects like Frank Lloyd Wright, Chicago has a rich landscape of buildings both old and new.
Architecture is by far one of my favorite subjects to photograph. I love symmetry, geometry, patterns, and the interplay between different materials. There is no shortage of buildings in Chicago.
While May was a challenging month from the standpoint of executing on a daily basis, I chose this month to focus on a strength.
Commonly, architecture photography is about an interior or entire exterior of a building. While I certainly have many photographs of entire buildings, I am very drawn to the details of the building. So much so that sometimes one may never know what building I photographed even if famous.
Arch, for example, is a building that people come from miles around to visit. It is a famous building as part of the worldwide brand. Using my technique for photographing Geometry Series, Arch is much more minimal but one favorite from this month.
Much Architecture was captured using my Olympus E-M5 with a 45mm (90mm on 35) lens allowing for me to focus on the details of buildings. The Olympus 45mm f1.8 is a favorite lens of mine. While some use wide angle or perspective control lenses for architectural photography, I lean toward longer focal lengths. Wide angle lenses are a favorite of mine but in Chicago, wide angle lenses rarely only give a field of view for one building. Chances are two or three will show up in the image. But, as with all tools, using it the right way, one will achieve the desired results.
The month itself wasn't a challenge as many in the past but I enjoyed it immensely. A Year in Photographs launched as an endeavor into uncharted photographic territory but entering into the half-way mark, I wanted to included one of my favorite subjects.
July is upon us and with that I starts a new subject. As focusing on building details, I will be focusing on urban and cultural details. Some things are so common and seen so frequently, they are effectively rendered invisible.
I once argued that photographers are those who define objects that otherwise would not exist because language or commonality ignores said objects. These things are that which are completely obvious but ironically are not seen. The Blue of the Universe shares my theory of how one can define the ordinary making it extraordinary. July surely will be an exercise in photography's supernatural abilities.
Up next: July – Signs and Symbols