Photography

With Distinction by Adrian Galli

There are a lot of social media platforms out there and just about all of them support photos. Of those photo supporting networks, there are many just for photography: Instagram, Flickr, iCloud, etc. But my favorites are 500px.com and VSCO [Grid].

While 500px.com is where I put my best photos and [mostly] from my "traditional" cameras, VSCO Grid is a photography sharing platform where I exclusively post photos shot with my iPhone.

VSCO Cam is a fantastic app for editing your photos on your iOS device; it is my first and favorite app to use. VSCO Grid is an Instagram-like photo sharing branch of VSCO but I much prefer it. It is where you'll find the best photos and the best photographers with the fewest cat/dog/food and/or selfie photos.

I received an email today that one of my recent photos has been chose for their curated search; thanks VSCO for loving my photography!

Please join and follow me on VSCO Grid.

Geometry by Adrian Galli

Scalloped Black and White (Marina City)

Scalloped Black and White (Marina City)

Science and math are and have always been favorite subjects of mine. They both make a world of unknowns and mystery into a world on the concrete; things you can either not argue with or must discuss in a rational manor. It is likely why some of my favorite subjects to photograph deal somehow with these disciplines.

Architecture, by definition, is geometry, trigonometry, and art. Living in Chicago, it is one of the architectural capitals of the world and has no shortage of buildings to see in new perspectives and take one art form into another. I've drawn inspiration from architecture. Above all else, one would notice that a vast majority of my photography is surrounding building of interesting or special merit.

These subjects might be the whole building or a closeup of a particular part of the structure, and sometimes it is a rather mundane and otherwise unremarkable portion of a strictly functional construct, stairs for example, but a different perspective shows a beauty that might go unnoticed.

Light and Dark

Light and Dark

I was asked, "How do you come up with some of these photos?" I was looking straight up while in between two of Chicago's most famous buildings, Marina City. My response, "Photographers often look forward. Sometimes the best pictures, however, are when you look behind you or up."

Marina City is one of Chicago's icons present in the Skyline. Situated alone the Chicago River, it is likely one of the most photographed buildings in the city. Built in the 1960's, the sister buildings resemble corn on the cob. They are slightly retro but also a timelessness to them. Their curved balconies and corkscrew parking garages below the residential portion of the structure always make for an incredible view. I've shot many photos of the building but always go back to find a different perspective or view. 

While this day of shooting wasn't about Marina City, I was waiting for a moment when the sun was just right at another nearby location. Having some time to spare, I walked to these towers and loved that, from in between, one was lit and one was dark only received some light bounding off the other. This wasn't my mission but I loved what I stumbled on; both of these photos receive the attention to get them features on 500px.com Popular page.

Down and to the Right

Down and to the Right

On the other hand, some architecture would be considered uninteresting. But these are some of the best subjects for photography. These are the photos that draw attention to things one sees perhaps every day but doesn't noticed the beauty.

My mission on the day these stairs were shot was a specific building, the Radisson Blu Aqua Hotel. Scouting the ground level, I found this staircase the took one down to the park behind the hotel. Just a moment when one stumbles on something while on an adventure.

The Blue of the Universe by Adrian Galli

Gold and Aquamarine

Gold and Aquamarine

There is a theory: if in language a word does not exist for something in particular, that item goes unnoticed by the people of that language.

Blue is a color we in the western world, America in my case, so frequently see and feel. The sky is blue. The cold water faucet is blue. Pools are blue. But it may surprise many people that in some languages, ancient Greek for example, there was no mention of blue. The question anthropologist and sociologist, among others, ponder is, did the Greeks see blue?

I think the obvious answer is 'yes' they saw blue but was it any importance or did they value the in their civilization? Some reasons why it wasn't a "valued" color might be because blue dye was difficult or even impossible to produce; the only ancient civilization able to were the Egyptians. I would argue this is a far more complex topic to explore but the general theory is sound.

Today, blue is very readily available; paint, clothing, cars, plastics, paper, candy, etc. Without a word or the ability to create the item the word would be associated with, some argue things go unnoticed or of little value.

My grandfather, while looking through my photos, remarked, "I don't know how you do it. You see things I'd never see." 

I had never considered it exactly. I assumed that everyone saw what I saw. While I think that is generally true, anyone with sight could see the things I saw, they didn't notice them. I pondered this point for years. How do I and my fellow photographers and cinematographer do it?

My exploration of this lead me to wonder, perhaps, many people simply use their sight to navigate the world; to decide on what shoes to wear, how to get to work, or whether they need an umbrella on that day.

Perhaps photographers and cinematographers are those who illuminate that which otherwise goes unnoticed and unseen; that we give definition to the undefined visuals of the Universe. 'Blue' becomes a word and blue is seen. A photographer takes a photo and its subject is seen.